Ready or Not 2: Here I Come was filmed across Canada, primarily in Ontario and Quebec. The production used real locations spanning Toronto, Hamilton, Niagara Falls, Dundas, and Montreal to build the film’s world of wealth, ritual, and dread.
That choice paid off. Directors Matt Bettinelli-Olpin and Tyler Gillett stitched together these places so tightly that the whole film feels like one enormous, suffocating estate. Cameras rolled from April 2025 through early June 2025, with the crew hiding the project under the working title Hide & Seek.
This guide breaks down every confirmed filming location, what you see in each one, and why the filmmakers chose it.
Ready or Not 2 Filming Locations
Ready or Not 2 was primarily filmed in Ontario, with a handful of scenes shot across the provincial border in Quebec. Principal photography kicked off on April 7, 2025, under the working title Hide & Seek and wrapped in the first week of June 2025. Here is a full breakdown of every confirmed location.
Fairmont Royal York Hotel, Toronto, Ontario
The heart of the film’s indoor world sits at 100 Front Street West in downtown Toronto. The Fairmont Royal York, one of Canada’s most storied luxury hotels, gave the production its casino floor, its grand lobby, and the laundry room that becomes a memorable action space.
The hotel opened in 1929 and has served British royalty, world leaders, and heads of state. Its ornate ceilings and heavy stone interiors were not chosen by accident. The look of old money runs through every hallway. That visual language fits the film’s High Council families perfectly, a group of people who have been rich for so long that luxury stopped feeling special to them decades ago.
Director Tyler Gillett explained the reasoning to Variety. He said that building a laundry room from scratch on a tight budget usually means building something you barely use. Using the hotel’s actual laundry room let the team design the action around a space that already existed, which saved both time and money while keeping the scene grounded in something real.
Samara Weaving’s Grace, already bloodied and running, navigates the hotel’s spaces in ways that turn elegance into menace. That contrast, marble and chandeliers against violence and desperation, is one of the film’s recurring visual jokes. The Royal York delivers that contrast without the crew needing to build a single wall.
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Rosedale Golf Club, Toronto, Ontario
The golf course scenes set inside the Greater Toronto Area were shot at the Rosedale Golf Club, located at 1901 Mt Pleasant Road in Toronto. The club is one of the oldest in Canada, founded in 1894, and sits nestled in a ravine surrounded by some of the city’s most expensive real estate.
The manicured fairways, the quiet authority of the grounds, and the sense that everyone there belongs to a world most people never enter, all of it translated directly into what the film needed. Elite families do not gather in dark basements. They meet where the turf is perfect and the dress code is enforced.
Nearby wooded areas and conservation land around the GTA were also used for outdoor chase sequences. The contrast between the open, sunlit course and the dark canopy of forest nearby gave the film its push and pull between exposure and concealment.
Hamilton, Ontario
Hamilton sits on the western end of the Niagara Peninsula, about an hour southwest of Toronto. The crew arrived there in May 2025 and set up at two distinct locations.
The first was a golf club in the city, used for additional golf sequences that expanded on what was already shot at Rosedale. The second was an old, abandoned church that was spotted by local reporters and social media accounts following the production. The exact address of the church was never officially confirmed, though locals confirmed the shoot in the Hamilton area.
The church matters because of what it adds tonally. Everything at the Royal York and Rosedale says power and polish. A decaying church says something else. It says that the rituals behind this wealth are older and uglier than the buildings hiding them. The film uses Hamilton to give that subtext a physical form.
Production designer Andrew Stern, who also worked on the original Ready or Not, was responsible for threading all these locations together so they read as one connected space. The Hamilton church contributed its stone walls and empty pews to that broader canvas.
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Columbia International College, Northcliffe Campus, Dundas, Ontario
At 574 Northcliffe Avenue in the community of Dundas, the Northcliffe Campus of Columbia International College served as another important filming location. Several scenes were shot on and around this property.
Dundas sits within the city of Hamilton. The campus offered large institutional buildings with open grounds, giving the production a controlled environment that could stand in for various interior spaces within the fictional resort setting. The structured layout of the campus suited scenes that needed a sense of order and containment, the kind of place where rules are enforced and exits are monitored.
Oak Hall, Niagara Falls, Ontario
This is the location that most fans associate with the film after seeing it. Oak Hall stands at 7400 Portage Road in Niagara Falls and served as the exterior of the lodge central to the story.
The building was constructed in 1928 as a private residence and consists of three stories and 37 rooms built in the Tudor Revival style. Stone walls, arched windows, leaded glass, and heavy timber details give it the look of somewhere old and unyielding. Niagara Parks now uses it as administrative office space, and the public can see it on the grounds.
In the film, Oak Hall functions as the exterior of the lodge belonging to two of the story’s key characters. Its scale and its architecture say exactly what the script requires. This is a place where powerful people retreat from the world, where the rules of ordinary life do not apply. The three-story facade, with its dark stone and formal symmetry, does not look like a place you would want to be trapped inside after dark.
Director Matt Bettinelli-Olpin talked about the challenge of making the film’s many locations feel like one place. He told Rue Morgue that the team moved room to room and location to location throughout production, sometimes shifting spots in a single day. Andrew Stern’s job was to tie all of it together so viewers never felt the seams. Oak Hall was the anchor. It gave the exterior shots a consistency that held the illusion together.
The mansion opened to the public as part of a museum and golf course in 1964. It sits on Niagara Parks land, meaning visitors can drive out to see it. More than a few fans have already done exactly that.
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Montreal, Quebec
The production crossed provincial lines and moved into Quebec for additional scenes in Montreal. The crew used a golf course in the city, and the Sun Life Building at 1155 Rue Metcalfe appears visibly in the background of at least one outdoor shot.
The Sun Life Building is one of Montreal’s most recognizable landmarks. Its neoclassical stone facade and imposing scale made it a fitting backdrop for a story about inherited power. Montreal’s architecture carries a European character that separates it visually from Ontario’s more colonial and industrial aesthetic. That difference, subtle as it is, helps the film suggest that the High Council’s reach extends across regions and borders.
The Montreal scenes expand the story’s geography without demanding heavy screen time. They tell the audience that what Grace is running from is not one eccentric family in one large house. It is a network, and it is everywhere.
How the directors made one resort out of many cities?
The most impressive production achievement in Ready or Not 2 has nothing to do with the cameras. It has to do with the edit and the design work that made six cities feel like one location.
Matt Bettinelli-Olpin and Tyler Gillett moved the crew at a pace that veteran location managers described as unusually fast. They shot in different locations on almost consecutive days. The budget was tight at $14 million, and building full sets was not a practical option. Real locations were the only way forward.
Andrew Stern’s production design work connected the spaces. He matched materials, color palettes, and lighting approaches across every location so that nothing felt discontinuous. When Grace moves from the Royal York’s laundry room to the grounds of Oak Hall, the film does not announce the geography shift. It simply moves her, and the world she is running through feels continuous.
The result is a film that earned $42.9 million worldwide against that $14 million budget, suggesting that audiences responded to what they saw on screen. The real locations, carefully chosen and carefully connected, did the work that expensive sets would have done. They just cost less and looked more honest.
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A Note on Samara Weaving’s Pre-Shoot Injury
Ten days before principal photography began, Samara Weaving injured her back severely enough that she could not walk. The production adapted. She recovered enough to start filming, but reportedly performed fewer physical stunts than originally planned.
That context matters when thinking about the locations. The film’s action sequences, many of which were designed around real spaces like the Royal York laundry room and the grounds of Oak Hall, had to account for a lead actor still recovering. The directors built sequences around what existed rather than what they wished they could build, and that constraint produced something that feels tactile and grounded in a way that pure stunt work sometimes does not.
Final Thoughts
Ready or Not 2: Here I Come is a Canadian production in every practical sense. The country’s tax incentives, its versatile architecture, and its range of landscapes from polished urban hotels to crumbling stone churches gave the film exactly what it needed. The locations are not just backdrops. They carry meaning. The Royal York says old money. The abandoned church says old sin. Oak Hall says old power. Together, they build a world that is both glamorous and deeply wrong, which is exactly what the story requires.
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